This brings Twin 3 much more in line with FabFilter’s mixing plug‑ins from a user interface point of view, which is a good thing.
There are many functional improvements to report, but the most obvious change is a wholesale visual reinvention. This was later joined by the more ambitious Twin - which, along with the other ‘creative’ plug‑ins in FabFilter’s catalogue, received a comprehensive overhaul back in 2009 ( And now it’s reached version 3. The very first FabFilter plug‑in was in fact a very plain subtractive synth called FabFilter One.
Nor did they hit their stride in user interface design straight away. So ubiquitous are they, it’s easy to forget that FabFilter didn’t start out making mixing plug‑ins. With stylish, minimalist graphic design coupled with intuitive click‑and‑drag operation, they’re the polar opposite of painstaking vintage hardware recreations, and enable users to get results fast. These plug‑ins sound great, but what really sets them apart from the herd is their innovative user interfaces. It’s a rare Inside Track column in this magazine that doesn’t feature their Pro‑Q equaliser, Pro‑MB multiband dynamics or Pro‑C compressor, and for good reason. FabFilter go back to their roots with a brand‑new version of their Twin soft synth.įabFilter plug‑ins have become something of an industry standard among mix engineers.
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